I've been just concentrating on actually writing down my "career" in exhibition making, (19,000+ words) making analysis of knowledge, process, materials, strategy, resonance if any.
About
- Iain Irving
- Catterline, Aberdeenshire, Scotland
- My research is to define and analyse my own and others’ curatorial practice. The aim of this research is to investigate and define the development of contemporary curating in Scotland thus enabling clarity and new knowledge of the identity and cultural values of the practice. The objectives are - • to clarify the field by defining the identity of contemporary curating in Scotland. • to investigate the curatorial practices of key practitioners • to locate and analyse the systems and strategies used by curators and producers • to undertake a range of curatorial events • to present a thesis that defines the identity and perceived cultural values of contemporary curating in Scotland. The research methodology will include mapping curatorial practice activities in Scotland, interviewing key curatorial practitioners and producers, analysing curatorial and event production, producing a range of curatorial events and by way of analysis producing a thesis that will attempt to identify contemporary curating in Scotland and define the perceived cultural values.
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Bookshelf
- Altshuler, B, The Avant-Garde in Exhibition, 1994
- Baudrillard Jean, The System of Objects, 1968/96
- Billing, J, Lind, M and Nilsson, L, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. London: Black Dog, 2007
- Brown, Jane, The Pursuit of Paradise: A Social History of Gardens and Gardening, London, HarperCollins 1999
- Derieux, Florence, Harald Szeemann: Individual Methodology. Zurich: JRP|Ringier Kunstverlag AG; 2007.
- Dorner, Alexander The Way Beyond 'art', 1948
- Elpida Karaba, Feedback #4: Ideas that inform, construct and concern the production of exhibitions and events, 2007
- Greenberg, Reesa Thinking about exhibitions, 1996
- Gupta, Anjali, ed. Death of the Curator, Art Lies, A Contemporary Art Quarterly, 2008; No.59.
- Hughes, Lindsay, Do we need new spaces for exhibiting contemporary art? A critique of curatorial practice in relation to the viewer's engagement with contemporary art, Journal of Visual Art Practice 4:1, 2005
- Hyde, Lewis, The Gift, Canongate, 2006
- Hyde, Lewis, Trickster Makes this World, Canongate, 2008
- Jacob, Mary Jane, The Curator's Task: Opening up Space and Time, Curator 49 no3 pp.283-6, 2006
- Lippard, Lucy R. The Lure of the Local 1997
- Morris, Nina J. and Cant, Sarah G, Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture Trail, Social & Cultural Geography, 7:6, pp.863-888, 2006
- Müller, Hans-Joachin, Harald Szeemann: Exhibition Maker. Ostfildern-Ruit: Hatje Cantz Verlag; 2006.
- Nickas, Robert, Theft is Vision, Dijon, Les Presses du Reel. 2008
- Obrist, Hans Ulrich, A Brief History of Curating, 2008
- Ranciere, Jacques, The Politics of Aesthetics, London, Continuum, 2008
- Sennett, Richard, The Craftsman. London: Allen Lane; 2008.
- Thomas, Catherine, ed. The Edge of Everything: Reflections on Curatorial Practice. Banff, Alberta: The Banff Centre Press; 2002.
Research Links
Other projects
- Axis Curator Database
- Gray's MA Student project with Ganghut space at SSW
- Gray's School of Art Guest's @ Gray's blog
- Gray's School of Art Master's sharing site
- Gray's School of Art, Aberdeen : Postgraduate course
- Iain Irving : Projects archive
- Iain Irving RGU/Gray's Research page
- Retard this...Miss student exhibition
Curating.info
The Exciting World of Curating
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